Category Archives: Best of 2012
December 19, 2012 Mostly Film Best of 2012: The Raid
by theTramp
2012 in film has been the sort of year, for me, where the best films have not been the most memorable. Three films stand out in terms of memorability; TED – a one joke movie about a teddy bear that can talk and also smoke, take drugs, drink and is consistently horny, made by the makers of Family Guy and memorable mostly for two great cameos. Killer Joe – a film with so many flaws that you can list them as you watch it, but the central performances are so great that you don’t care. If Matthew McConaughey doesn’t get an Oscar nod for this then quite frankly he’s been robbed. To my mind Killer Joe is the most chilling on screen character since Mitchum’s Harry Powell and that is a comparison I do not make lightly. Finally, and the subject of my ‘best of 2012’ is The Raid.
- Leave a comment
- Posted under Asian Cinema, Best of 2012, Uncategorized
December 17, 2012 MostlyFilm’s Best Of 2012: Pamyu Pamyu Revolution
by Spank The Monkey
Even an old fart like myself can appreciate the sterling work that Mr Moth has been doing for Europe’s Best Website with his Mostly Pop pieces. He’s got a genuine appreciation for the genre, and it comes across even when he’s slagging it off. But pop is like heroin: after a while, you come to realise that the regular stuff simply doesn’t do it for you any more. One day, Moth will look at his Girls Aloud records, sigh, and realise that he needs something stronger. He needs to go to Japan, basically.
J-Pop is the crack cocaine of popular music. Any impurities and unnecessary material have been refined out of it by years of scientific research involving men in lab coats. You know that old joke about why they don’t make planes out of the same material they use to make the black box recorder? J-Pop is the answer to the equivalent question about why they don’t make pop music entirely out of hooklines. It breaks down your natural resistance: once you’ve been exposed to it, nothing of standard strength has any effect on you ever again.
I’m a 49-year-old man, and my favourite record of 2012 is a J-Pop album by a 19-year-old girl called Kyary Pamyu Pamyu. STOP JUDGING ME. Continue reading this article ›
- 8 comments
- Posted under Best of 2012, Music
December 14, 2012 MostlyFilm’s Best of 2012: Dredd
by Indy Datta
In 1995, the first movie outing for taciturn dystopian-future law enforcer Judge Joseph Dredd – a Sylvester Stallone vehicle directed by Danny Cannon – was released to scathing reviews. Although comic book adaptations were, even then, big box office (Joel Schumacher’s grating, garish Batman Forever, released in the same year, was as big a hit as the two Tim Burton movies that preceded it), the sales pitch for Cannon’s film was all about Sylvester Stallone, still at that time one of the most bankable international movie stars. To the chagrin of the hardcore fans, the 1995 version of putting the money on screen meant putting all of Stallone’s face on the screen, even though Dredd’s face had in the pages of 2000 AD, jutting chin apart, been kept from view beneath his helmet since his first appearance in 1977. In the name of commerciality, the film traduced the source material in numerous other ways, big and small – from giving Dredd a love interest to, unforgivably, retaining the services of Rob Schneider as a comedy sidekick. Despite all the cynical pandering, Judge Dredd bombed. Fast forward to 2012, a world where comic book movies are the mainstream, with the latest incarnation of Batman not only hoovering up ridiculous amounts of cash, but demanding to be taken seriously. The makers of Dredd looked like they were doing everything right – the helmet would stay on, hiding star Karl Urban’s face throughout; Dredd’s creator John Wagner would be part of a creative dream team including Danny Boyle’s go-to screenwriter Alex Garland; the violence wouldn’t be watered down to garner a kid-friendly rating; Rob Schneider (or his 2012 equivalent, Rob Schneider) would remain uncontacted. Despite all this, Dredd bombed.
Continue reading this article ›
Tags: Alex Garland, Anthony Dod Mantle, Dredd, Judge Dredd, Karl Urban, Olivia Thirlby
- 2 comments
- Posted under Best of 2012, Genre
December 12, 2012 MostlyFilm’s Best of 2012: Small Screen
After the jump, a hand-picked bouquet of MostlyFilm contributors reflect on their telly, home video and gaming highlights of the year.
Jump!
- 1 comment
- Posted under Best of 2012, Games, Home Video, Sport, Television
June 28, 2012 The Best Films of 2012 so far
The end of June. The halfway point of the year. A weak excuse for a few MostlyFilm writers to share their lists of the best films of the year so far, because they are list-making nerds.
Comments of the “I heartily concur!” variety, and the “really?” variety are cordially invited.
- 5 comments
- Posted under Best of 2012
January 11, 2012 Preview of 2012 – the Best of the Rest
by Ron Swanson
Over the last couple of days we’ve looked at some of the biggest blockbusters, and potential art-house hits that will go a long way towards defining 2012 as a cinematic year, but it would be silly to underestimate the importance of those films that sit somewhere between those two camps – be they high-profile films made by talented, respected and acclaimed directors, or vanity projects for big stars…
Most of these films will be released in the latter half of 2012, but one movie that will receive plenty of attention on its release in May is the Dictator. The latest project of Sacha Baron Cohen, the Dictator looks set to change his established formula somewhat, mixing in other high-profile actors like John C. Reilly and Curb Your Enthusiasm veteran J.B. Smoove for more of a scripted feel. Regardless of the film’s quality, expect the Dictator to generate plenty of interest.
Continue reading this article ›
Tags: the Gangster Squad
- 1 comment
- Posted under Best of 2012, Future Releases
January 10, 2012 Preview of 2012 – Blockbusters
by Ron Swanson

Any preview of 2012, (or at least one that wants to rouse the collective interest of ‘the Internet’, should probably start with Christopher Nolan’s the Dark Knight Rises. The UK’s cinematic summer slate will be more crowded than ever, with studios running away from two sporting events – the European Football Championships and London 2012. We’ll see a lot of movies congested into a squeezed window of opportunity.
The Dark Knight Rises, released on 20 July, is the only major release to have committed to going head-to-head with the Olympics, and given the franchise’s strength, you can understand the confidence (the Dark Knight took three times the money in the UK as Batman Begins, and is far and away the biggest comic book movie of all time, while the trailer for the Dark Knight Rises received more attention than most full releases).
Nolan’s films are hugely popular, and there’s no denying that he has managed to carve out a niche and be perceived as the director of intelligent blockbusters (Inception took £35m in a very competitive market). The Dark Knight Rises sees Nolan include three of his Inception cast in key roles – Tom Hardy plays brutish villain Bane, Joseph Gordon Levitt as a young Gotham beat cop and Marion Cotillard (swoon) as a possible romantic interest for Batman (played once more as the growliest of dangerous, psychopathic vigilantes by Christian Bale). It will, undoubtedly, be one of the event movies of 2012, but not, by any means, the only one… Continue reading this article ›
Tags: Brave, Ice Age 4, Inception, Jack the Giant Killer, Madagascar 3, Mirror Mirror, Prometheus, Red Riding Hood, Skyfall, Snow white and the Huntsman, Step Up 4, StreetDanceTwo, the Amazing Spider-Man, the Avengers, the Dark Knight Rises, the Hobbit:: an Unexpected Journey, The Pirates! In An Adventure with Scientists, Wrath of the Titans
- Leave a comment
- Posted under Best of 2012, Future Releases
January 9, 2012 Preview of 2012 – Awards and Art House
by Ron Swanson
Just before Christmas, the issue of film release scheduling was brought up as part of the ugly contretemps between New Yorker film reviewer David Denby and Girl with the Dragon Tattoo producer Scott Rudin. While Denby’s claim that he had to break an embargo he’d agreed to because of release schedule madness (in this case, keeping all of the films aimed at a literate, adult audience to be released at the same time) was clutching for a proverbial drinking device, there’s a kernel of truth to the fact that most of the interesting releases aimed at an older audience do tend to be squeezed into a three month (at best) period. Continue reading this article ›
Tags: Carnage, Girls, Iron Lady, Martha Marcy May Marlene, Once Upon a Time in Anatolia, Shame, The Artist, The Descendants, The Grandmasters, The Sweeney, The Woman in the Fifth, Tiny Furniture, War Horse, Welcome to the Punch, Winter's Bone
- 4 comments
- Posted under Best of 2012, Future Releases








