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MostlyFilm

A Blog Mostly About Film

Category Archives: Film Making

By Tindara Sidoti-McNary Do you remember the acclaimed nineties BBC drama that brought actors Christopher Eccleston and Daniel Craig to popular attention? I recall it fondly as ‘Our Wigs in the North’. You see, friends, I have a problem with hair and make-up. The anachronistic mullet, the dreadful syrup, the misplaced pout; I cannot rest [...]

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by Paul Duane Kenneth Lonergan, a big, disorganised-looking, mop-haired, slightly put-upon-looking man, sits at the front of the auditorium. He’s looking at the audience, they’re looking at him, and nobody speaks. The guy who’s doing this Q&A with Lonergan, director Damien O’Donnell, is nowhere to be seen – it transpires he’s looking for a small [...]

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by FIONA PLEASANCE I know what you’re thinking.  You’ve clicked on a link, and now there’s a sinking feeling in the pit of your stomach.  “Oh no,” you sigh, “not another bloody article about those retro-juggernauts, The Artist (2011) and Hugo (2011) and what it all means for Hollywood.  That’s so last month!” Well, perhaps.  [...]

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by Philip Concannon “In the brief span of six years, between directing his first one-reeler in 1908 and The Birth of a Nation in 1914, Griffith established the narrative language of cinema as we know it today.” – David A. Cook, a History of Narrative Film (2004) “DW Griffith, when you come right down to [...]

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by Susan Patterson Mostly Links is back and this week it goes colour.  Mostly Links has been pondering why so many films are so blue.  And orange.  If you’re wondering what we mean think CSI Miami.  And then some. Mostly Links first pondered this after seeing  Carancho (dir: Pablo Trapero, Argentina, 2010), and wondering why everyone [...]

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Philip Concannon previews More4′s history of film and cinematic innovation “At the end of the 1800s, a new art form flickered in to life. It looked like our dreams.” The Story of Film is a story told through moments; images thematically linked to tell us how this art form, created by inventors and visionaries in [...]

MarvMarsh looks at the history of big finance on screen Gordon Gekko; Larry the Liquidator; the Duke brothers. They may sound like professional wrestlers but what they actually are is nothing like as honest and noble. They are cinema’s money men. The people at the top of the writhing pile of maggots that is the [...]

Philip Concannon The title of Klaus Kinski’s memoir is Kinski Uncut, but that’s not strictly accurate. When the actor first attempted to publish his autobiography in 1988, under the title All I Need is Love, a lawsuit from Marlene Dietrich (who had taken offence to his depiction of her as a lesbian) ensured the book [...]

By Ron Swanson Striding through a wasteland of bloated sequels and wasted comic book adaptations comes this blockbuster season’s one true warrior of originality. Ignore the name; Super 8 is not a (seventh) sequel to Rainn Wilson’s twisted comic book movie. Instead, it’s a collaboration between one of the finest young filmmakers to be embraced [...]

By Victor Field The two most annoying experiences I’ve ever had in all my years of being a soundtrack fan both involved people who were supposed to be selling me the things.

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