All posts by MostlyFilm

Obscure Gems Revisited Two: Revenge of the Obscure

We revisit MostlyFim‘s second look at films lost down the seat cushions at your local multiplex, half-remembered, covered in boiled sweets and lint

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Obscure Gems Revisited

We revisit the first in an occasional series, in which Mostly Film collected lovely little bundles of themed recommendations from contributors. To kick the series off, they were asked to recommend a film that they were pretty sure none of the rest of us had ever seen (as it went, few managed to get that obscure)

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Bebop à La La

Damien Chazelle’s La La Land has already made a splash at cinemas and on the awards circuit. Mostly Film’s resident grumpy jazzers, Martin and Sarah Slade, review the music, while self-confessed musical and Ryan Gosling aficionado Fiona Pleasance offers some thoughts on the film. Readers, be warned: mild SPOILERS follow.

lalaland-soundstage-stagedoor

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