Susan Patterson watches Victor Erice’s Spanish classic
“Can it be that an unfinished film is one of the best in Spanish cinema history? Yes it can… 95 minutes of emotions so intense that you’re left breathless. I cry every time I watch it.” Pedro Almodóvar
Estrella (Icíar Bollaín), is close to her doctor father, Agustin (Omero Antonutti) but mystified by his past, and how it has made him the slightly distant man he has become.
Spank The Monkey looks at Criterion’s new release of a neglected landmark in Japanese cinema.
Musashi Miyamoto is the Samurai. No, scratch that: Musashi Miyamoto is the Samurai. For generations of Japanese, this 17th century wandering swordsman has been the ideal representation of the country’s warrior class. A painter, an author, and a swordsman who won over sixty duels: if he didn’t already exist, someone would have had to invent him. And even though he did exist, people have been inventing him anyway: for centuries Japanese culture has repeatedly taken the bare bones of his story and manufactured new myths out of it. Continue reading The Samurai Trilogy→