In this instalment of our occasional series on cinematic gems hiding out on the Internet, theTramp begs you to consider 2013’s Austenland.
So Buffy the Vampire Slayer is now 20. Well. The truth is a little more complicated than that – the movie is a few years older and Buffy herself, Sarah Michelle Gellar turned 40 on the 14th but the fact is it’s a good time to say “Happy belated birthday, Buffy”.
The West End revival of 42nd Street is a musical for the Strictly generation, says Viv Wilby
Mr Moth returns to Skull Island, and this time he’s taking an army
Damien Chazelle’s La La Land has already made a splash at cinemas and on the awards circuit. Mostly Film’s resident grumpy jazzers, Martin and Sarah Slade, review the music, while self-confessed musical and Ryan Gosling aficionado Fiona Pleasance offers some thoughts on the film. Readers, be warned: mild SPOILERS follow.
Another look at one of Mostly Film’s most popular posts, where contributors picked the best of the-ones-after-the-famous-one
On Halloween, six strangers gather to share stories of terrifying things they saw, things that they can never forget!
Hello brave souls! This Halloween on Ghostly Film, we are looking at portmanteau horror. You know the kind of thing? A handful of scary stories gathered together into one film. For those awful moments when you can’t decide whether you want to see a film about zombies, werewolves, witches, curses or killer plants. Why not watch a film that contains a story about each?
Since many anthology films had different directors make each sequence, we have used the talents of six different writers. Each in turn will tell you about a segment from a horror anthology, a tale that what was, for them, so strange it has seared itself into their memory forever…
Matthew Carter squares up to ailurophobia
When RKO Radio Pictures were feeling the pinch from the excesses of Citizen Kane, a directive for a meat and potatoes B-movie landed on Val Lewton’s lap. Jacques Tourneur stepped up as director and DeWitt Bodeen produced the screenplay. Using sets from Orson Welles’s The Magnificent Ambersons, Tourneur and Lewton created an entirely new genre: noir-horror-sex-thriller. Continue reading Here, Puss Puss Puss…
Gareth Negus watches the TV series of Wolf Creek.
Sarah Slade considers if Stormy Weather has weathered the storm.
There is a school of thought that maintains that musicals of the Hollywood Golden Age were at the forefront of social commentary. Look at Carousel, with its depiction of domestic violence, single parenthood and walking on through the wind and the rain. Or Oklahoma in the light of Judd’s mental illness. Let’s skip over the message behind Seven Brides for Seven Brothers and look at Showboat, which has actual people of colour singing songs about rivers and takes a sideways look the trials of being mixed-race in the Deep South.