While the rest of the UK talks about going back to the 70s, MostlyFilm wants to talk about the 90s. In 2015, following Corbyn’s election to the Labour Party leadership, Viv Wilby revisited The Deal (2003). Confused? Here’s what she said.
So, I watched The Deal again. It felt strange, like a series of stepping stones back through the decades: watching in 2015 a drama from 2003 about events from 1994 that had their roots in the early 1980s.
The newest Criterion Collection Blu-Ray, Sidney Lumet’s 12 Angry Men, hits the shelves in the UK on 15th May. Fiona Pleasance joins the jury.
The premise of 12 Angry Men could hardly be simpler. Almost all of the film takes place in a single room in a New York City courthouse in the mid-1950s, where the members of a jury deliberate on the trial of a young man accused of murdering his father.
With yet another election looming in the next few weeks, we’re revisiting Gareth Negus’s review of the Margaret Thatcher biopic from 2011. Whatever you may think of the present incumbent, you’d never catch Thatch looking awkward while eating chips out of a cone.
The General Election is almost upon us. And is there any better way to judge our politicians than by the films they claim to be interested in? Well, yes. There are much better ways. But it’s films that we’re interested in here. Emma Street tells you why you can’t trust anything politicians ever tell you.
In the last part ofExtremists Week, our fearless correspondentKiwizoidberg looks at the favourite films of the gun lobby
Amat victoria curam: victory favours the prepared. When SHTF and it’s TEOTWAWKI, will you be ready? Will you grab your bug-out bag and head for the hills, or retreatto your fortified bunker? And how are you going to defend yourself from everyone else who ignored your warnings and thought you were crazy?
Welcome to the world of the Doomsday preppers. This group of people is made up of individuals, families or even communities who are preparing for the end of the world as we know it (TEOTWAWKI). They may be crazy, but their paranoia has driven them to take action. They have stocked up on water and tinned food and developed skills that they believe will help them survive whatever the world may throw at them when the shit hits the fan (SHTF). How they think the end comes about varies, but preppers are planning to survive and are willing to defend themselves by any means necessary. When this includes firearms, we have the makings of a gun-nut. The term can be interpreted as pejorative or affectionate, depending on your point of view.
When I see or hear the term ‘gun nut’, I imagine someone like Burt Gummer in Tremors (1990). Burt and his wife have a respectable arsenal in their cellar which comes in handy when the graboids invade their town. Back when the film was released, Burt seemed a likeable enough kind of crazy. Nowadays, you are unlikely to find any charming gun-nuts in film. Instead, you get characters like Harlan Ogilvy (Tim Robbins) in the basement scene from the War of the Worlds (2005), someone out of touch with reality; unstable and highly dangerous.
What is this fear that drives the preppers, and what role has film or TV played?Disaster movies are almost as old as cinema. When the genre hit its absolute peak in the 40s and 50s, it did so when WWII was a fresh memory, and when fear of nuclear weapons and Soviet infiltration were at their height. The Roswell Incident of 1947 led to sightings of UFOs everywhere – not least on celluloid. Pretty soon the latent paranoia of Hollywood B-movies was reflected on TV through shows like The Twilight Zone. Prepper of favourite films tend to include ‘Panic in the Year Zero’ from 1962, which tells you something about the longevity of this particular cultural crisis, and maybe why we’ve seen so many disaster movies recently. Continue reading Out of my cold, dead hands→