There’s been a lot of talk recently of canned laughter. Surely no-one denies that canned laughter exists – the wonderfully spooky phrase “the laughter of the dead” refers specifically to laughter captured so long ago that the audience is no longer even with us – but clearly the idea of laughs on cue is taboo in modern comedy. Mention the phrase on Twitter, for example, and you’re as likely as not to find the size twelves of the local comedy constabulary on your neck, requesting that you re-think the phrase and maybe buy a DVD in penance. We here at MostlyFilm, however, are not subject to the laws of Tweet-land and can more freely question the idea that every laugh at every joke on the soundtrack to every comedy was recorded right at the moment the punchline dropped.
After the jump, Sarah Slade shares her memories of being in an audience for a comedy show that didn’t quite get the laughing part of their job right. It’s certainly enough to pose the reasonable question – if not canned, then what? Ethically sourced and packaged in a protective atmosphere for later use?