On the eve of the world premiere at the London Film Festival of his debut fiction feature Kelly + Victor – a raw and intimate romantic drama with a dark side, set in an evocatively captured contemporary Liverpool – Indy Datta interviews writer-director Kieran Evans.
On the genesis of Kelly + Victor
I came into film during the early days of acid house. I was studying fine art, and acid house had just sort of crash-landed, and in that kind of great way that the e culture made happen, you try something different, so I picked up a film camera and found myself enjoying that much more, so I became an art school dropout, and moved to London with the idea of making films rather than becoming an artist.
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