Ron Swanson watched a lot of films at the 2017 Cannes Film Festival. Here’s what he thought.
I’ve been coming to the Cannes Film Festival for nearly 10 years, and it would be fair to say that the 2017 vintage will probably not go down as a great year. That being the case, there were still a number of outstanding films on display. Here are 13 of the best.
Continue reading Cannes Report
In this instalment of our occasional series on cinematic gems hiding out on the Internet, theTramp begs you to consider 2013’s Austenland.
Continue reading The Power of Persuasion
Four of MostlyFilm’s writers settle in for a night (or more) of Slow TV, the latest Scandinavian fad to hit the UK after hygge, fika and hot autistic detectives.
Continue reading Netflix and Chill
A United Kingdom (dir. Amma Asante, scr. Gus Hibbert)
The 60th BFI London Film Festival kicked off on Wednesday evening with a gala performance of A United Kingdom, the story of Seretse Khama (David Oyelowo), king-in-waiting of Bechuanaland (now Botswana), and Ruth Williams (Rosamund Pike), an underwriter’s clerk. They marry, and incur the wrath of her family, his uncle, and the British and South African governments, who all conspire to separate them. Continue reading London Film Festival 2016 Days 1 to 2
Kimmy Schmidt Season Two arrived on Netflix earlier this month. MrMoth binged for us…
Continue reading Strong as Hell
If an Oscar-bait movie falls in the limited release forest, does it make a sound on Netflix? Your guide to this question, but without the horribly tortured metaphors, is the mysterious Ron Swanson.
Continue reading Beasts of No Distribution
James Moar walks down Marvel’s mean-streets with Daredevil.
Continue reading Better Call Matt