Ann Jones reports from the 56th Venice Biennale
Scout Tafoya places Steve McQueen’s film in context, considering McQueen as a distinctively British film maker, and his new film as a masterpiece of looking afresh at a historical atrocity.
by Laurent de Alberti
Back in 2008, director Steve McQueen and actor Michael Fassbender were virtual unknowns when their first collaboration, Hunger, took the independent film world by storm, nabbing a Camera d’Or for best first film in Cannes, and giving them worldwide recognition. So it is an understatement to say that their second collaboration was much anticipated. And yet it turns out to be a surprise disappointment.
In Shame, Michael Fassbender plays Brandon, a successful executive in New York City, whose life is dominated by his pursuit for sex: internet porn, prostitutes, casual hook-ups, he is in thrall of a never ending sexual addiction, while being unable or unwilling to commit to any relationship. The arrival of his needy and unstable sister Cissy (Carey Mulligan) disturbs his carefully managed lifestyle.