by Ann Jones

Patrick Keiller is a hard man to describe: an architect who makes films, a filmmaker who makes art, an artist who curates installations. He’s certainly someone who seems to keep his options open so that his films may also become books, or art installations such as this one. Perhaps woollier descriptions like cultural commentator are needed. Or perhaps it’s better to think about what connects different aspects of his work. At the heart of much of Keiller’s work is the notion that by looking at the past we can find out about the future. Continue reading The Robinson Institute →