Tag Archives: Wild Bill

The Back Page – March 23 2012

It would be Joan Crawford's 107th birthday today. Here she is with Clark Gable (111), who is wearing what I sincerely hope is his costume from Mutiny on the Bounty and not just casualwear. She, of course, is cosplaying as Popeye.

Big release this week is obviously The Hunger Games, which I assume, following the lead of Battleship, is a big-budget Hungry Hungry Hippos adaptation. But sod it – we’ve been quite excited about Spike off of Press Gang’s Wild Bill since last year’s London Film Festival so…

IN YOUR HUNGRY FACE, HUNGER GAMES! Boom!

Not that we want you to leave us, but here’s a nice article about film criticism in the 60s/70s.

Or you could stick around and read a MostlyFilm article from this week. All crackers:

There’s Always Two Lawyers, Kenneth Lonergan talking about screenwriting.

Sweeney Todd, our review of the new stage production.

The Ever-Expanding White Cube, on the art gallery chain.

Black Coal Heart, on the somewhat overlooked genre of British noir.

Join us next week for smooches, aliens, tiny furniture and a load of slap.

London Film Festival 2011 – Days 10-12

Wild Bill (Dexter Fletcher, 2011)

A 35-year on-screen veteran of film and TV, Dexter Fletcher makes his writing and directing debut with a warm, funny and tightly-plotted East End drama that adeptly mixes crime and family plot strands. Charlie Creed-Miles plays the Bill of the title (“More like Mild Bill,” as one wag obligatorily but unwisely observes at one point) – coming out of prison on licence after an eight-year stretch for a veritable portfolio of offences accrued while working as a low-level drug dealer, to find that his children, 15 year-old Dean (Will Poulter) and 11 year-old Jimmy (Sammy Williams), are fending for themselves after having being abandoned by their mother, who has run off to Spain with her new man, and don’t really want to know him. Soon, Bill finds himself besieged on all sides: his probation officer (Olivia Williams) and the police want him to steer clear of his old crew; the old crew want him to slot right back into his old life or get the fuck out of Dodge; social services (represented by Jaime Winstone and Jason Flemyng) want him to stick around and take responsibility for his kids. And there are further complications as Jimmy finds himself sucked into the life his father is trying to leave behind.

Continue reading London Film Festival 2011 – Days 10-12