Britain’s longest running and most popular LGBT film festival starts tomorrow. Emma Street gives you a quick tour of what to look out for at BFI Flare.
by Mr Moth
I know you like it, Americans, but you do Hallowe’en all wrong. For a start, there’s the costumes. They’re supposed to be scary, you can’t just wear any old fancy dress. Going to a Hallowe’en party as Dorothy from the Wizard of Oz is just not on, unless you’re basically admitting a deep-seated fear of gay icons. Trick or Treat? Well, that’s debatable and I don’t know who’s right or wrong but I can tell you now that ACTUALLY GOING THROUGH WITH THE TRICK IS BAD. Don’t do that. Changing your Twitter avatar to a spooky skull on the first of October? TOO SOON. The most egregious affront to Hallowe’en, however, has occurred only recently and in an unlikely spot – cable television.
You see, American Horror Story: Murder House was first broadcast on FX in the United States on the fifth of October. The second series, Asylum, premiered on the 17th of October. And Coven, the third series, began on the ninth of October. Is it too much to ask that a series so steeped in American (and, for that matter, European) horror tradition premieres on the 31st of October? Or at least as near as possible?
by Susan Patterson
margin call (noun) 1. a demand by a broker that an investor deposit further cash or securities to cover possible losses
J C Chandor’s Margin Call (2011) is a clever, smart film, and I don’t understand how I missed it when it went on general release in January. Admittedly, it came out the same week as Shame and War Horse, but I was already jaded by Fassbender’s cock, and horses, even brave ones, hold even less interest for me.