Category Archives: Film Festivals

The 2012 Kinoteka Polish Film Festival

by Clare Dean

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This year, the Kinoteka Polish Film Festival celebrated its 10th anniversary in style with an eclectic line-up covering film, music and visual art across nine venues in London, Edinburgh and Belfast.  Over the course of a fortnight, 19 features screened along with a selection of short films, an exhibition of Krzysztof Kieslowski’s Decalogue film posters and a closing concert with Polish composer Krzysztof Penderecki and Radiohead guitarist Jonny Greenwood. While previews of new films dominated, two strands focused on the classics and reminded me just how great Polish cinema can be.

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Once Upon a Time in Anatolia

by Indy Datta

Turkish director Nuri Bilge Ceylan’s latest film was the joint winner – along with the Dardennes’ The Kid With a Bike – of the Grand Prix at last year’s Cannes film festival, and has since been widely  acclaimed as his masterpiece.  At the very least it is his most thematically expansive and formally ambitious work since his international breakthrough, 2002’s Distant. But as always with Ceylan, I find myself stranded uneasily between admiration and scepticism, dazzled by the technical mastery, unable to shake the suspicion that there’s less to the film than meets the eye, yet on some level aware that the failing is probably mine.

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If My Calculations Are Correct, Part Three

by Ricky Young

Montage of three sci-fi posters.

With seven films outstanding in our look-back at the 1983 BBC2 sci-fi season, should we perhaps turn from our never-ending vigilance against external dangers (such as wrenches and communists), and instead take some time to contemplate the monster that is Man himself? What lessons can we learn about our nature via these Technicolor messages from our own recent past? Well, if 1955’s Conquest Of Space is anything to go by, lesson #1 today is ‘religion is for unstable, murderous nutcases’, so thanks for all the pressing updates on that, Dawkins, you charmless little tit.

Produced and directed, respectively, by 50s sci-fi greats George Pal (who oversaw When Worlds Collide from Part 1) and Byron Haskin (who would go on to helm Robinson Crusoe on Mars, from Part 2), Conquest of Space might not be the oldest of the films we’ve rewatched, but it has a tone and feel of something made considerably earlier. Oh, and it’s loopier than a hipster’s earlobes, but have no fear – we’ll get to that.

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Going Loco at the BFI Southbank

by Phil Concannon

January is a dismal month. Grey skies, biting winds and post-Christmas debts tend to darken the mood for the majority of us, but this weekend LoCo – a not-for-profit organisation dedicated to supporting comedy filmmaking – did its best to raise spirits with the inaugural LoCo Comedy Film Festival at the BFI Southbank. Over the course of four days, the festival’s eclectic programme served up a variety of shorts and features, Q&A’s, educational events and even a special presentation of a film that doesn’t exist. The combination of old and new, of dark comedies with breezy slapstick, ensured that the festival genuinely offered something for everyone. In fact, if you’ve long harboured a desire to see a tiny man crawl out of a cat’s anus…well, the LoCo Film Festival was the only gig in town. Continue reading Going Loco at the BFI Southbank

If My Calculations Are Correct, Part Two

by Ricky Young

If this look-back at the 1983 BBC2 science-fiction season has a theme, it’s that if you’re a simple God-fearing man (or, to a lesser extent, woman), just trying to make his way in the world in the shadow of that first cracked atom, then whatever you do, for heaven’s sake give scientists a wide berth.

In nearly everything we’ve covered so far, men of science have either directly or indirectly been responsible for alien invasion, alien near-invasion, alien semi-invasion, or just alerting aliens to our existence so they can stage – yes! – an invasion. It’s almost as if American society in the 1950s went to bed at night afraid of sudden and total destruction from a massive yet amorphous enemy far away.

Not that such mattered to me, watching these films after my tea every Tuesday night for four months, a stripling of nine tender years. I’ve tried to revisit as many as I can, and I’ve found that it’s less the stories and the dialogue that have resonated over the ensuing three decades, but certain images, sound effects and colours.

It also sort-of explains why I blew up that government aerospace research lab that time, with everyone deliberately trapped inside. Goddamn good-for-nothing scientists.

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onedotzero adventures in motion festival 11

onedotzero’s remit is to promote and showcase global digital culture and innovation in motion. Its 15th outing has just closed at the BFI Southbank. It was a festival of screenings, music events, installations, training and round tables on processes such as projection-mapping.

The work in this festival that could mostly be described as film, as opposed to installations using the BFI’s public spaces, was divided into strands.  I saw extended play 11 and future cities.
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London Film Festival 2011 – The Italian Job

Concetta Sidoti rounds up our LFF11 coverage with a special report on the Italian films that played at the festival

Terraferma

For a couple of years, the most interesting Italian films in the London film festival have been about outsiders moving in – often ex-communitari (non-EU migrants) and clandestini (illegal migrants) – and the uneasy welcome they receive from a country more used to emigration than immigration. This year’s festival tackles the subject in films as different as Emanuele Crialese’s Terraferma, the De Serio brothers’ Seven Acts of Mercy (Sette opere di misericordia) and Andrea Segre’s Li and the Poet (Io sono Li).

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London Film Festival 2011 – the Afterparty

Indy Datta

The night bus home after “Target” took its sweet time

And so it’s over for another year. I think I’ve banged on myself quite enough over the last couple of weeks, so I want to largely hand this wrapup piece over to our other contributors, and also to some regular MostlyFilm Contributors who weren’t able to chip in during our daily reports.

There were a lot of abandoned kids in this year’s programme, most of my top films either tried to honour the power of love to rescue the forsaken, or the bleak possibility that they might encounter evil rather than love. It might just be me, but it started to feel like a theme, wrapped up in the larger theme of the atomised consciousnesses of people in the modern world, seeking some kind of connection with each other, or just with reality. My top films of the festival: Snowtown, I Wish, The Giants, Alps, The Kid With a Bike.

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London Film Festival 2011 – Day 16

The Deep Blue Sea  (Terence Davies, 2011)

Terence Davies’ The Deep Blue Sea is a quiet, delicate end to an odd London Film Festival. Based on a play by Terence Rattigan, it’s a period-set drama of doomed romance, which will evoke memories of Neil Jordan’s End of the Affair and Todd Haynes’ Far From Heaven (both LFF highlights of years gone past).

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London Film Festival 2011 – Day 15

Target (Alexander Zeldovich, 2011)

Have you ever been cornered at a family gathering by an 8 year old boy, high on Mr Kipling, Coca-Cola and Ben 10, who wants to tell you a great science fiction story he’s just made up? Have you struggled to stop your eyes from glazing over while he introduces a breathless sequence of new ideas, and doesn’t develop or explore any of them, only to drop each for the next? Have you struggled to keep track of who all the characters in this epic story are, as they run around all over the place, doing things that make no sense, for no reason? Congratulations! You are now prepared for the experience of watching Target.

Continue reading London Film Festival 2011 – Day 15