Editor’s Inbox

New MostlyFilm editors are initiated into the Siblingity of MostlyFilm Eds in a short, non-surgical ceremony where the old editor hands over the Gimlet Eye and passwords before skipping off to the Field of No Fucks Left To Give. In my month or so in the editor’s rather cheap plastic chair, I’ve discovered a glitch in the Gimlet Eye and the email password opens a whole new world of delicious nonsense to play with. From upcoming releases to bizarre ideas for tie-ins, this is a round-up of things that we wouldn’t normally get around to talking about, but we thought you might like to know.

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Dying Laughing

Jim Eaton-Terry looks at Dying Laughing, a new documentary on the life of the stand-up comic

There’s always something odd about an extended conversation with a really great stand up.  Inevitably there’s the tension of waiting for a gag that never comes, which often distracts from the conversation.    Comics are clearly aware of this, and the weaker ones will defuse the tension with a crowd-pleasing riff or two, but the best conversations strip away the humour and show how the world looks from the stage.

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Destination Unknown

An elderly man plays with the remains of a fence, then walks across a scrubby heath.

“There were no trees here,” he says, looking at a path weaving through the bushes. “Nothing.” He regards the nothing for a moment, then tells of the last time he saw his family at the Kraków-Plaszów forced labour camp, in 1942.  The camp featured in Schindler’s List

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It Is Happening Again

Twin Peaks has returned, but does it meet expectations? theTramp investigates

When Twin Peaks first aired, back in 1990, its impact was monumental. I’m not talking about the impact that it had on television; the realisation that narrative structures could move about a bit, that magic realism could step off the page, that strong characters could lend themselves to unpredictable narrative formats and still be watchable. No I am talking about the impact that it had on me personally.

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