Philip Concannon reports back from this year’s Cinema Ritrovato festival in Bologna.
No two experiences of Il Cinema Ritrovato will be the same. The festival’s vast and eclectic programme offers so many options for the curious film fan, there’s really no right way to navigate it. Some will choose to revisit old favourites screened from original prints or restored copies, while others will focus on rare titles and unknown quantities. Treats are to be found in every corner of the festival, along with a number of very difficult choices. On a single evening in Bologna, you could see one of the following: D.A. Pennebaker introducing Monterey Pop on Piazza Maggiore’s huge screen; the Austrian silent film Die kleine Veronika presented on a carbon projector; or a new restoration of The Bird with the Crystal Plumage, with Dario Argento himself in attendance. It’s not always easy being a cinephile.
Continue reading Il Cinema Ritrovato 2017
Ron Swanson watched a lot of films at the 2017 Cannes Film Festival. Here’s what he thought.
I’ve been coming to the Cannes Film Festival for nearly 10 years, and it would be fair to say that the 2017 vintage will probably not go down as a great year. That being the case, there were still a number of outstanding films on display. Here are 13 of the best.
Continue reading Cannes Report
Blake Backlash visits Glasgow’s GLITCH Film Festival which shows work by LGBTIQA+ people of colour
Continue reading Glimpses of GLITCH 2017
We’ve decided to split our preview of 2017 up. The first part will focus on the awards contenders for this year, and some foreign language releases in the first few months.
Continue reading Mostly Likely Awards 2017
I often make decisions based on intuition, a sense that something is there.
Continue reading Magnus Carlsen
Farewell, then, to an all-time great edition of the London Film Festival. In the 13 years I’ve been attending the festival, this is by far the best programme of films selected, and given the festival’s innovative changes to the screening schedule (such as building an entirely new venue), there were opportunities to get tickets to most of the big items, especially for members. Continue reading London Film Festival 2016 Round-Up
Tickling Giants (dir-scr Sara Taksler)
During the Egyptian revolution 2011 Bassem Youseff, cardiologist by day, satirist by night, starting making five minute shows for his Youtube channel. Within three months they had had five million views. Youseff finds himself the golden boy of Egyptian comedy, and has a networked TV show, Al Bernameg (The Show) by the end of that year. Continue reading London Film Festival 2016 Days 8 to 9
The Revolution Won’t Be Televised (dir Rama Thiaw)
An Insignificant Man (dir Khushboo Ranka, Vinay Shukla)
Layla M (dir Mijke de Jong, scr Jan Eilander, Mijke de Jong)
Contains spoilers for Layla M.
The stand out point about The Revolution Won’t Be Televised and An Insignificant Man is that they were made by a Senegalese woman and a pair of young Indian filmmakers in their own countries about things that they know about. The stand out point about Layla M is that it was not directed nor written by Dutch Moroccans, and it shows. Continue reading Whose Story Is It Anyway? London Film Festival Days 5 to 7
A Moving Image ( dir-scr Shola Amoo)
Director Shola Amoo grew up in the Elephant and Castle, so he is no stranger to what gentrification can do to a community. A graduate of the National Film and Television School, this is Amoo’s first feature. It is a documentary film within a drama, which allows him to use interviews with Brixtonians, scripted drama and the photographs of Neil Kenlock to explore a changing Brixton through what happens to Nina (Tanya Fear) when she returns there. Continue reading London Film Festival 2016 Days 3 to 4
A United Kingdom (dir. Amma Asante, scr. Gus Hibbert)
The 60th BFI London Film Festival kicked off on Wednesday evening with a gala performance of A United Kingdom, the story of Seretse Khama (David Oyelowo), king-in-waiting of Bechuanaland (now Botswana), and Ruth Williams (Rosamund Pike), an underwriter’s clerk. They marry, and incur the wrath of her family, his uncle, and the British and South African governments, who all conspire to separate them. Continue reading London Film Festival 2016 Days 1 to 2