Category Archives: Film Festivals

London Film Festival reviews

Mostly Film’s intrepid reviewers have been out and about at the London Film Festival.  Here is the first of two reports this week of what they’ve been watching.

John Dies At The End

Reviewed by Clare Dean 

During his introduction to the late night screening of John Dies at the End, director Don Coscarelli told how he was mulling over a sequel to 2002 cult hit, Bubba Ho-Tep, when he received an email from a ‘robot’ – one of those automated Amazon messages that recommends on past purchases, ‘you bought this, so you might like this’ etc.  The suggestion was David Wong’s book, John Dies at the End and for once, the robot was spot on.

John Dies at the End is a fun midnight movie.  Told in confessional flashback as a potential story to journalist Arnie Blandstone (Paul Giamatti), two paranormal investigators (Chase Williamson and Rob Mayes) have to save the universe from a gigantic evil demon called Korrock, helped by a mind opening drug called (and looks like) Soy Sauce.  Once the Soy Sauce takes hold, nothing is as it seems.  Characters develop psychic abilities and cross time and reality. The dead have telephone conversations with the living.  At least, I think that’s what happens.

Continue reading London Film Festival reviews

London Film Festival: Best of British

With the 2012 London Film Festival in full swing, Siobhan Callas of Britflicks.com looks at the British productions in this year’s programme.

Seven Psychopaths

It’s time once again for the UK’s biggest (and possibly longest titled) film event of the year, The 56th BFI London Film Festival in partnership with American Express.

The festival sees a total of 225 feature films from 68 different countries playing across the capital city’s cinemas for 12 days throughout October. And much to my own personal joy, one sixth of this year’s chosen screen outings are home-grown.

Continue reading London Film Festival: Best of British

It’s Alive!: Tim Burton’s creative resurrection

by Gareth Negus

Among the many things for which Tim Burton can be held responsible is the fact that I am writing for this website.  His second feature, Beetle Juice (1988) was the one that, more than any other, ignited my interest in film.  I’m not suggesting it’s the greatest film ever made (that would be Tremors, clearly), but it was among the most imaginative and unusual I had seen up to that point in my life.  It introduced me to the idea that filmmakers could take a melange of influences and craft something new and personal from them, and sent me out into the street thinking: I want more like that. (It also introduced me to Winona Ryder, something else for which I remain grateful.)

Continue reading It’s Alive!: Tim Burton’s creative resurrection

Ten of the Best Films From the 2012 San Sebastian Film Festival

by Matthew Turner

As regular readers of Europe’s Best Website may remember, this time last year I attended the San Sebastian Film Festival and had such a great time that I vowed to go back every year until death. Well, so far, so good. For the truly curious, pictures and a tweet-by-tweet account of the entire festival can be found here and here respectively, but let’s keep this blog post mostly about film. Here, then, are some  notes on the ten best films I saw at San Sebastian this year (out of a total of 35). Note that a) I would have included The Imposter on this list if I hadn’t already seen it at Edinburgh and b) I deemed retrospective films ineligible for the top ten, otherwise Franju’s Judex would have been on the list too.

Continue reading Ten of the Best Films From the 2012 San Sebastian Film Festival

Tales from the Land of Gold: Zipangu 2012

Clare Dean experiences Japanarchy in the UK.

Somi – The Taekwon-do Woman

It’s Friday evening and I find myself eating Sushi in an old Lambeth workhouse.  Not something Charlie Chaplin would’ve done but then he never got the chance to go to the Zipangu Film Festival.  This was the third annual festival and the first one held at the Cinema Museum in Kennington (and former workhouse home of Chaplin when he was a small boy).

Zipangu is a different kind of festival. You might not see the latest Japanese big budget, sword fighting epic or an in-depth Ozu retrospective, but you will see something unusual or little-seen and it’s not always the traditional representation of Japan that you might expect.

Continue reading Tales from the Land of Gold: Zipangu 2012

FrightFest the 13th

by Gareth Negus

Rosie Day in Frightfest’s 2012 opening film, The Seasoning House

If I start by saying that the film I enjoyed most at Frightfest this year was a 40 year old reissue, it might sound like a cheap shot. But as that film was The Devil Rides Out, one of several vintage Hammers spruced up and showing to plug their imminent blu-ray release, it really isn’t.  All the same, this year’s festival did raise a few questions about the state of contemporary horror, with the best films tending to be those that looked back in some way to past glories.

Continue reading FrightFest the 13th

MexFest!

Clare Dean takes on Mexican cinema, and wins

La Nave de los Mostruos

MexFest, which took place earlier this month, was a spillover from the cultural events accompanying the Olympics this summer: a 3 day festival of film, music and visual arts at London’s Rich Mix arts centre in Shoreditch , organised by the British Council, along with the Mexican National Council for Culture and Arts.

Partnered by the Moreila International Film Festival, Ambulante Documentary Film Festival and CANANA (the production company founded by Gael García Bernal, Diego Luna and producer Pablo Cruz), the hectic programme included recent features and documentaries, shorts and 4 Mexican sci-fi classics on 35mm.

The recent fiction features strand showed some great contemporary Mexican cinema from the last 6 years, including Abel, We Are What We Are, Deficit, I’m Gonna Explode and Revolución. All good films, but I wanted to see something I hadn’t seen before.  So I stuck with the short films, and the rare 1960s sci-fi screenings -and yes, I couldn’t help myself, the exhibition of photo portraits of Mexican wrestlers from the 1980s to the present day.

Continue reading MexFest!

MostlyFilm goes to Edinburgh

Gareth Negus, Matthew Turner and EK McAlpine report from the Edinburgh International Film Festival 2012

Gareth Negus

There was a much more positive vibe in Edinburgh this June. After the critical bashing the 2011 Film Festival received, the organisers at least had the sense to sort out one of their most fundamental errors. They appointed a new Artistic Director, Chris Fujiwara, and gave him the time and  the authority to put his own stamp in the programme.

You could see the difference immediately.

Continue reading MostlyFilm goes to Edinburgh

London Indian Film Festival 2012

Indy Datta reviews of some of the highlights of the festival’s third year

Opening Night Film – Gangs of Wasseypur Part 1 (Anurag Kashyap, 2012)

Anurg Kashyap’s That Girl in Yellow Boots was by some way the most accomplished film I saw at last year’s festival, and after Gangs of Wasseypur played in the Director’s Fortnight at Cannes earlier this year, I was hopeful that it would show up at this year’s LIFF.  Frustratingly, what we got was just the first half of the 5-hour film, and with no news as yet of British distribution, I have no idea when, if ever, I’ll see the second half. This isn’t one of those complaints about small portions of terrible food; Gangs of Wasseypur is bold and ballsy film making that delivers and delivers and delivers.

Continue reading London Indian Film Festival 2012

Terracottadammerung 2012

by Spank The Monkey

Mostly Film’s coverage of the 2011 Terracotta Far East Film Festival contained more than its fair share of drama. Aside from the concentrated dose of Asian cinema that Joey Leung and his programming team reliably deliver, there was also the element of jeopardy which came out of my watching 11 movies in 50 hours, immediately after a transatlantic long haul flight. Still, I stayed awake. Unless I didn’t and dreamed all those films I wrote about, of course.

No such issues for the 2012 festival: I’ve rearranged my work schedule so that I’m not going to miss any of the films this year. However, there’s a downside to that: I’m not going to miss any of the films this year. Between Thursday night and Sunday night, I’m now committed to sixteen movies, several masterclasses and a party. What the hell was I thinking? I’ll barely have time to finish this introduction before I

Continue reading Terracottadammerung 2012